Monday, 2 November 2015

Jessica's Ironing Tutor

The Great British Ironing Circle... It's on the BBC... I don't know, six o'clock? I watch it on my tablet on the commute home. I have to sit in the spoiler carriage on the train so I don't ruin the ending for anyone who hasn't seen it...

...but that's what I've been saying. Everybody has an ironing tutor. It's the in thing.”

A repetitive beeping sound heralds the departure of the elevator. The bulky, dented silver doors slide shut slowly, as if mired in discarded chewing gum, gradually screening off the small ticket hall of Gloucester Road underground station.

Look, I've got to go mummy.”

Jessica ends the call. Some of the other passengers in the lift look down at their feet attempting to stifle their laughter.

~

The alfresco dining area outside Sheridan's.

Daisy takes a sip of Shiraz and then keeps the wine glass up by her mouth. with the rim resting on her curled-over bottom lip and the blackcurrant-coloured contents lapping at the curved interior.

The three-way conversation is like parallel railway tracks that occasionally criss-cross.

Clarrissa - “Mmmm, I'm getting really good at that rectangular pleat you get in the back of men's shirts.”

Jessica - “I mean I like Carlos, but I'm effectively paying him £30 an hour for me to iron his clothes. I'm starting to see the same pairs of pants.”

Daisy - “Is it really necessary iron pants?”

Clarissa - “You know what, darling: Have you shagged him yet? Grind a few buttock-shaped dents into those bed sheets of yours. Give yourself something challenging to iron.”

Jessica - “No, I forget to tell you, I'm back with Anthony and we're both trying to be good this time.”

Daisy - “No gak binges?”

Jessica - “We both still do coke. We do it as a couple on Sundays after we've visited one set of parents. So it's like our reward...”

Jessica - “...You know, I do like it when Carlos stands behind me with his head over my shoulder and guides my hands.”

Smirks all round. And Daisy finally puts down her wineglass and checks something in her handbag.

Clarrissa – “I think you might found my happy place for later, you know when John is flopping about on top of me...”

Monday, 19 October 2015

“Did you just call me a cunt?” - A valediction for uncensored, no-holds-barred, on-campus debate

Lay to one side any academic qualification that a person might obtain from spending three years at one of the UK's fine higher education establishments, and consider for a moment the kind of individual these faculties will eventually unleash upon the unsuspecting world.

English universities have long been places where young men and women, who have mastered the art of passing A levels, are granted an opportunity to slip free from the shackles of parental expectations, along with any dismal real-life persona they developed during seven concurrent years of puberty and secondary school. It's a period of experimentation - a time for trying on new and colourful identities, prior to settling on a less-grating personality - one that won't get you punched too frequently after you graduate.

On campus, hilarious stereotypes abound. I used to walk to lectures from my hall of residence, my footsteps dogged by a female black metal fan, whose smudged corpse paint, which covered her entire face, left her resembling an undead panda. You don't get that quality of individual in the dreary world of minimum wage 'work-till-you drop' jobs that I now inhabit.

There are common pairings too – certain types of people who seem preordained to be friends with each other. One half of an on-campus bro-mance that I used to encounter regularly was the young man whose recently-grown, shoulder-length hair, and newly-acquired leather jacket, hinted at clumsy exploratory forays into the world of goth metal, and possible ownership of a Type O Negative album. Riding on the rebellious vapour trails of this proto-edgelord would be his lanky, wire-haired, ginger-bearded sidekick – who had confounded society's expectations of lanky, ginger-headed men by opting for a degree in the soft humanities, as opposed to, say, Geology or Archaeology.

One morning a small group of us converged around four pushed-together tables in a room adjoining the corridor that comprised our university's Philosophy Department.

The younger, slightly more twattish, version of myself, who was fond of quoting Rimbaud and, when drunk, randomly bellowing “PARKLIFE!” at the top of his voice into the ears of unsuspecting strangers, had just concluded what was, as I recall, a masterful summation and critique of selected passages from Aristotle's Nicomachean Ethics.

That was when mock-Goth boy chimed-in:

The gist of his counter-argument was unremarkable enough to have been lost in time, but I do remember its conclusion where he summarised my presentation as “a load of old cock-swallow.”

I felt a boiling tide of anger rising inside me. My knowledge of Aristotle had been openly challenged in front of people who I hardly knew and barely respected.

How dare this cretinous streak of piss with the ginger-headed best mate disagree with me.

- This contemptible archduke of wank, clad in a leather jacket that now bore Tipp-Exed quotes from Milton's Paradise Lost.

- This human skid mark, whose key to unlocking the underwear of impressionable female students was the one song he had mastered on his acoustic guitar, which he would play incessantly. That song was Under The Bridge by The Red Hot Chilli Peppers. 
 
This was nothing better than a playground scrap re-contextualised in a peer-reviewed setting, among the stunted, swamp-bound spires of Reading University. 

Fortunately for me battles in this environment are won and lost, not with flying fists and off-balance attempts at roundhouse kicks, but with finely-nuanced rhetoric, forged in the molten crucible of minds honed from four years of GCSEs and A Levels. A world of the intellect where witty and insightful rejoinders spring readily to the tongue:

Did you just call me a cunt?”

We were in an educational setting so the words came out in dressed in academic vernacular – 'Sir, either by design, or through your pitiful intellectual shortcomings, you have grievously misunderstood the tenor of my argument. The statements that you have made in support of your rebuttal are flimsy in construction and unlikely to stand up to the crushing weight of my response,' etc.

None-the-less, the underlying meaning of my reply was clearly evident in my tone of voice.

Rising to the moment, I continued, stabbing at the air with my finger as I launched into an impassioned speech that would have dazzled the Roman orator Cicero with its power to sway the hearts and minds of my rapt audience. I began by positing the hypothetical scenario upon which I intended to construct the arguments that would utterly demolish my opponent:

What if an alien from the planet Cock-swallow were to venture down to Earth...”

Others in our small group, sensing that civilisation was about to disappear into a gaping sink hole, began to wade into the discussion with their own inane theories and opinions. This was no longer a finessed debate – the exploratory back-and-forth of two duelling fencing masters, each feeling out the other's weaknesses, always meticulously plotting two or three moves, or counter-moves, ahead of their opponent.

This was a 'post-five-nil-at-home-defeat-at-the-hands-of-the-shittest-team-in-League-Two- full-on-pub-brawl' with students chucking bits of Platonic dialogue and Aristotelian maxims around like empty Grolsch bottles, while figuratively kneeing each other in the bollocks.

Spirited discussions like this are what I miss most about university. They were safe spaces where you could argue vociferously, and sometimes crudely, back and forth without fear of any long-term consequences.

Many of us were from middle class backgrounds. We had been told, almost as a matter of routine, by our parents that we were brilliant, and had experienced very little adversity in our lives. Being thrown into a situation where an essay that you had worked hard on would be openly challenged and torn apart by your peers if you didn't stand up and fight your corner, bred within us the resilience and the reserves creativity that we would tap into in the face of future adversity. 

These bare-knuckle scuffles made me come alive. I am sure that I was wasn't the only person to leave the room at the end of a debate riding high on a crest of Adrenalin and exhilaration.

Two decades on, safe spaces mean something different. Cultural paradigms in academia have shifted alarmingly in the direction of political correctness, which has taken a hammer and a chisel to free speech, with potentially damaging long-term social consequences. 

Sanctions for perceived misbehaviour on campus have, at some higher education establishments, become draconian and out of step with wider society. A student must now consider not only the strength of their argument but the way they express it and whether this will cause offence or contravene any university policies on free speech. The young man who, in the early 1990s, glibly referred to my presentation on Aristotle as “a load of old cock-swallow” could, in 2015, credibly find himself suspended for sexual harassment, or for triggering a student who found his off-kilter terminology offensive.

I never graduated from university but what I did learn there was invaluable in preparing me for the harder world that awaited just off campus.

I wonder what impact the neutered debates that increasingly characterise the modern university experience will have on the current student cohort as they leave education and enter the workforce.

Thursday, 8 October 2015

41

At the age of 41 I found myself sleeping rough on the streets of London, ironically with 41 pence to my name.

Wherever I slept I would awaken at four or five am, with the coins scattered around me, having worked themselves free from my pocket during the night. I imagined them as rats fleeing a sinking ship.

When I eventually returned home I had lost most of the feeling in one half of my right hand (although there has been some recovery my little finger is still partially numb). My first couple of weeks back had the quality of a waking dream where familiar settings such as my bedroom assumed monstrous and unfamiliar appearances. I expected at any moment to open my eyes and find myself back on the streets.

During this time I wrote down lines for a poem on scraps of paper.

I returned to these notes a few days ago and decided that I would work them into something for National Poetry Day.



41

by Mark Sadler


A cast-off from
the railway station,
who slipped free from
the end of the line
and was caught in
the purposeful eddies of
the evening rush-hour foot traffic,
is swept into the dingy corner
of some forlorn cul de sac
with soaped-up windows -
A heaped, vaguely human form
obscurely contoured
beneath a soiled blanket

A former climber
who in reduced circumstances
maps his ascent
on the horizontal plane.

In his sleep he claws
at the paving stones
in an attempt to gain
purchase on a handhold

or crushes against himself,
and holds his ebbing warmth
close to his chest
like a cherished treasure
that he will die to protect.

In the bleary, diesel-scented fog
of a grainy pre-dawn
supermarket delivery
he makes his own re-acquaintance,
recovers from the pavement
the small change
that migrated from his pockets
during the night.

The coins that flee his possession
in anticipation of a
greater tragedy to come
assume a tarnished constellation
around him.

Fallen stars
dimly recast in dulled metal
pressed flat beneath
the crushing gravity
of the world above his head
as he slowly sinks into two dimensions.

They resist his trembling attempts
to prise them from the
cold stone.

In the fading darkness of
another London night
where the foundations of sleep
have been restlessly sketched out
on a scrap of dirt
in an unlocked churchyard
a body in rehearsal for death
assumes the foetal position.

Friday, 11 September 2015

Musings on Kanye West and his role in preserving the English Folk Music Tradition

On our boisterous return journey from the all night garage we call out as one for the Southampton boiler-maker, turned Working Men's Club crooner, Joel Martin.

Play Permutations of Idle-Minded Whimsy!” we demand with raised voices.

Joel Martin does not hear us. He is resident in France and is retired from the music business.

Instead we turn our attentions to the contemporary guardian of the English folk music tradition, Dr Kanye West.

In particular we pay careful consideration of his 2010 long-player - My Beautiful Dark Twisted Fantasy which is a concept album about a young farmer's attempts to out-race a tractor in a ploughing contest.

Who Will Survive In America concerns a family of poor Irish immigrants fleeing the potato famine in their home country, while entertaining lingering doubts as to whether there will be enough potatoes in the nascent United States to meet all of their requirements.

Hell Of A Life is about growing up as the youngest child in an extended family of loom weavers in 16th century Newcastle.

The first time I played this track my hearth rug caught fire and the isolated one-room stone cottage that has sheltered sixteen generations of my family was reduced to naught but smouldering rubble.

In the year 2012 AD I asked an apparition of Dr Kanye West that had appeared in the vestry of my local church whether he would sign the turnip that I had purchased on Ebay.

When he kindly acquiesced I gave joyful thanks to our God in heaven in the highest. I made the turnip into a wholesome stew that kept my family nourished for three days.

It is in accordance with the diligent worldly labours of Dr Kanye West (now unanimously crowned Lord of the Summer Barleycorn by our grateful village) that folk music not only remains a viable music stream, but actively thrives upon this verdant isle that is Greater England.

God Save the Queen!

Thursday, 27 August 2015

(SATIRE) Line manager's “downtown like Ruth Brown” threat proven to have no historical basis

Threats issued to employees at Wrenn's DIY & Hardware by line manager, Susan Handfield, have been proven to have no historical basis.

Work at the Pitsea branch of the troubled hardware chain slowed to a standstill following the discovery by staff that Handfield's oft-touted threat that she would take anyone who stepped out of line “downtown like Ruth Brown” had no grounding in fact.

The Ruth Brown threat was the second thing that Susan said to me after I was mandated by the Jobcentre to work a 37 and a half hour week at Wrenn's as an unpaid apprentice,” said former bank manager, Clive Judd (54).

In my mind Ruth Brown was an ogreish woman, possibly an Elizabethan tavern wench, who kept her unruly clientèle in line by bashing their heads together and thumping them with her enormous meaty fists.”

Claire Lee has worked at Wrenn's for 27 years, during which time she has watched it slowly transform from a family-run business into an asset-stripped chain of 127 outlets, operated by a skeleton staff.

A tearful Lee recalled:

When I was young my priest, Father Pearson, warned me about St Jennifer's pet dragon who would descend from the heavens and cleanse my body and soul with holy fire if I was ever suspected by God of dabbling in Buddhism. Later I came to realise that the name of this dragon was Ruth Brown.”

Handfield's reign of terror was brought to an end after staff researched the mysterious historical figure of Ruth Brown and discovered that she had never existed:

The closest person of significance we could find was a timid churchgoing spinster who turned down a damehood for her fears that she might faint in the presence of Queen Victoria,” said Judd.

In a hastily issued statement, Handfield has claimed that Ruth Brown is “more of a composite character comprising a number of historical figures who you wouldn't want to get on the wrong side of.”

However, industry experts are already questioning whether she can continue as Manager of the Pitsea branch of Wrenn's without the ability to strike fear into the hearts of her workers.

She's finished,” said Wall Street Analyst, David Blackshaw. “The lesson to be learned here is do your homework or somebody else will.”

Clive Liborbung of The United Kingdom Association of Ethical Businesses (UKAEB) said:

Handfield's case highlights the dangers of citing historical precedent as a means of keeping rank and file workers in line.

What managers must remember at all times is that nobody's historical reputation is unassailable. All that it takes is one televised documentary narrated by Lorraine Kelly revealing that Ivan the Terrible was kind to kittens and your notoriety as a cast-iron ball-breaker is on the line.”

This morning, staff at Wrenn's were celebrating their freedom:

It was all lie. I feel like a crushing weight has been lifted from me,” said Judd.

The nightmare is over,” added Lee. “Ruth Brown can't hurt me now. It turns out that she never really could.”

Wednesday, 29 July 2015

Gathering Autumn at South Henns

Gathering Autumn at South Henns

I

The hilltops mottle
and moult their
Summer pasture

The soil-shed July grass
- spent blades of an
army in scattered retreat -
is carried downwind
on erratic gusts
into the widening valley
greening the ravelled currents
of the Gribb

The river that now
surges with reaffirmed urgency
on its three-quarter mile
homestretch towards
an inundated coastline.

For a few days
the shingle beach
resembles a freshly cut lawn.

The North Sea floods the horizon.


II

The olive groves
that line both sides
of the B road
in and out
of South Henns
begin to ripen in June.

The smooth pale bark,
thin enough to be peeled
with a fingernail, exposing
damp fibrous green wood,
darkens with permanent shadow.

By August the swollen crop
has turned violet.

Bill Crane, who since
his stroke last March,
can no longer raise a
water glass to his lips
without spilling the
trembling contents
down his immaculate shirtfront,
coordinates the harvest
through his proxy
- 28 years married this October.

Most of the yield is
pressed to make oil,
bottled in slender
lilac-tinted glass
manufactured in Tuscany,
and straw-packed
in wooden crates.

In September the lorry
from the supermarket
inches between the
towering inclined hedgerows
that trench the lane.

The seventh pressing
is held in reserve
for the last week of October
- dutifully set ablaze
in ironstone burners
that date to the 1700s.

A ring of flickering beacons
circling Drew’s Spinney
radiates a lingering
blue-grey oil haze
that stills the trees
and calms the hives.

The spirit that dwells
within the heartwood
will not quiet itself
says local legend.

The PhD student
who visited in 2008
and camped for two months
in the divoted paddock
at the foot of the graveyard
claimed this rite of appeasement
contributes to a
derangement of the soil
and denigrates the natural order.

I saw him last
standing at the bar
of The Plough
(named for the constellation)
draughting home-brewed cider
in long gulps
- opaque clouds, the
colour of bruised pear flesh,
circulating with the
ponderous looming threat
of an impending stormfront
from behind the raised porthole
of a glass-bottomed pewter tankard.

For the duration of his visit
the dulled stein dangled by its
exaggerated ear-shaped handle
from a loose hook
pitched 45 degrees forward
in a worn-out nail hole
bored into 16th century timber.

The sour alcoholic fruit fug
that loitered around the place
overpowering the smell of beer
recalling its local origins
as a cascade of rust-tinged windfalls
lock-stepped in creeping ferment,
shoring-up one corner
of the wood store
at Lingard’s Farm.

Gathering punch drunk wasps
around the rotten keyhole
that staggered in mid-flight
weighted down in
the cloying miasma.

Carried with the
bucket din of the
hourly church bell and the
endlessly wheeling birdsong
on the sweet ash of dusk
that dims the heads of corn
and unifies the tarnished crop
in silhouette

- a solid swaying mass
harbouring a sound
equivalent in volume
to its acreage.
The surface hiss grounded
to a deeper earthbound rumble
of root and stem,
flattening under its own weight,
pressed into two dimensions
like turbid water
running on the spot.
The steady low roar
of an approaching wave
that never breaks.

Tuesday, 23 June 2015

One Sunday in London

One Sunday in London

by Mark Sadler

In the doldrums of
a June weekend
I spied through the
stretched-out dregs
of a foamy lace-work
clinging to the interior of a pint glass,
the remnants of a Sunday carvery -
a slender side of beef
too narrow to stand upright,
it's rough-hewn upturned face
a sunburned pink
with the texture of abraded rope.

The landlord, who had a
predilection for fanciful re-tellings
of London history,
that elbow-nudged his establishment
towards the centre of things,
was idly boasting
to a foreign tourist
drinking at the bar:
This is the oldest pub in the city.”

(This happens concurrently at multiple locations across the capital)

Miles away,
unnoticed by the endless footfall
on the Charing Cross Road,
a tarred shadow, infused with the totality
of night that has steeped for hours
in its own fermenting darkness,
was leaking from the black-washed walls
of a guitar shop
out through the open doorway
where it obliterated
the pale mid-afternoon shade
that laid delicate, faint overlapping patterns
of roving legs and static street furniture
onto the paving slabs.

In the square mile
the mirror glass of the tall buildings
captured blurry fragments of the surrounding skyline
as indistinct as the outline of a distant
hedgerow draped in morning fog

and the open columned steeple
of a city church put stone bars
across a rectangle of blue sky

and on the cornice stones of bridges
small trees slanted towards
the nearest unobstructed source of light;
scouted out small speculative territories;
poised to reclaim the city.

Far away
at the Southernmost
extremities of the Northern Line
a man reached from his
hospice bed to brush
the white-washed wallpaper
of an unfamiliar room
with his finger tips
as if the embossed pattern
were Braille

The randomness of
the bumpy texture
matched perfectly
the shifting patterns
of small wavelets
on the choppy surface
of the river Thames.